ƒgƒbƒv | Episode Promenade | TOS | TAS | TNG | DS9 | VOY | ENT | ‰f‰æ
| ƒ}[ƒN‚Ì–}—á | V c ƒrƒfƒI [™ ƒXƒ^[EƒgƒŒƒbƒN '88^š ‚»‚êˆÈŠO] L c LD [Ÿ] N c ¬à [¡ –M–ó‚ ‚è^ –{‘”Å‚Ì‚Ý] A c ŠeÜ [œ ŽóÜ^› ƒmƒ~ƒl[ƒg] |
|---|
| ‘æ1ƒV[ƒYƒ“ | ||||||||
|---|---|---|---|---|---|---|---|---|
| Go | ˜b” | “ú–{ | Œ´‘è | –M‘è | V | L | N | A |
 | 1,2 | 0 | Encounter at Farpoint | –¢’m‚Ö‚Ì”òãÄ | ™ | Ÿ | ¡ | › |
| 3 | 1 | The Naked Now | –¢’m‚©‚ç‚Ì—U˜f | ™ | Ÿ | ||
| 4 | 2 | Code of Honor | ˆ¤‚È‚«˜f¯ | ™ | Ÿ | ||
| 5 | 3 | The Last Outpost | “ä‚̉F’ˆ¶–½‘Ì | ™ | Ÿ | ||
| 6 | 4 | Where No One Has Gone Before | ‰F’ˆ‚̉ʂĂ©‚ç—ˆ‚½’j | ™ | Ÿ | › | |
| 7 | 5 | Lonely Among Us | Žp‚È‚«‰F’ˆl | ™ | Ÿ | ||
| 8 | 9 | Justice | _‚©‚ç‚ÌŒx | ™ | Ÿ | ||
| 9 | 6 | The Battle | •œQ‚̃tƒFƒŒƒ“ƒM¯l | ™ | Ÿ | ||
| 10 | 7 | Hide and Q | Ž€‚̃Q[ƒ€ | ™ | Ÿ | ||
| 11 | 8 | Haven | –²‚Ìl | ™ | Ÿ | › | |
| 12 | 10 | The Big Goodbye | ‰F’ˆ‹óŠÔ‚Ì–¼’T’ã | ™ | Ÿ | œ | |
| 13 | 11 | Datalore | ƒAƒ“ƒhƒƒCƒh‚Ì— Ø‚è | ™ | Ÿ | ||
| 14 | 12 | Angel One | ’D‚í‚ꂽ—_’B‚̘f¯ | ™ | Ÿ | ||
| 15 | 13 | 11001001 | “‚܂ꂽƒGƒ“ƒ^[ƒvƒ‰ƒCƒY | ™ | Ÿ | ||
| 16 | 14 | Too Short a Season | ‘å‚¢‚È‚éž‚¢ | Ÿ | |||
| 17 | 15 | When the Bough Breaks | Ž€‚É‹}‚®˜f¯ƒAƒ‹ƒfƒA | ™ | Ÿ | ||
| 18 | 16 | Home Soil | _‚ÉŽ—‚½lX | Ÿ | |||
| 19 | 17 | Coming of Age | ‰F’ˆíŽm‚Ö‚Ì“¹ | ™ | Ÿ | › | |
| 20 | 18 | Heart of Glory | ‚³‚܂悦‚éƒNƒŠƒ“ƒSƒ“íŽm | ™ | Ÿ | ||
| 21 | 19 | The Arsenal of Freedom | ¶‚«•Ô‚Á‚½Ž€‚̉F’ˆ¤l | Ÿ | |||
| 22 | 20 | Symbiosis | ‹Ö’f‚Ì”é–ò | Ÿ | |||
| 23 | 21 | Skin of Evil | ”ß‚µ‚݂̯‚ÉÁ‚¦‚½ƒ^[ƒVƒƒ | Ÿ | |||
| 24 | 22 | We'll Always Have Paris | Žž‚Ì‚Í‚´‚Ü‚É | Ÿ | |||
| 25 | 23 | Conspiracy | ‹°‚é‚ׂ«‰A–d | Ÿ | œ | ||
| 26 | 24 | The Neutral Zone | “Ë‘R‚Ì–K–âŽÒ | Ÿ | |||
| ‘æ2ƒV[ƒYƒ“ | ||||||||
|---|---|---|---|---|---|---|---|---|
| Go | ˜b” | “ú–{ | Œ´‘è | –M‘è | V | L | N | A |
| 27 | 25 | The Child | Œõ‚©‚綂܂ꂽ¶–½ | Ÿ | › | ||
| 28 | 26 | Where Silence Has Lease | ˆÅ‚ÌZl | Ÿ | |||
| 29 | 27 | Elementary, Dear Data | ƒzƒƒOƒ‰ƒ€ƒfƒbƒL‚Ì”½‹tŽÒ | Ÿ | › | ||
| 30 | 28 | The Outrageous Okona | –³–@ŽÒƒIƒR[ƒi | Ÿ | |||
| 31 | 30 | Loud as a Whisper | –³Œ¾‚Ì’²’âŽÒ | Ÿ | |||
| 32 | 29 | The Schizoid Man | ƒRƒ“ƒsƒ…[ƒ^‚É‚È‚Á‚½’j | Ÿ | |||
| 33 | 31 | Unnatural Selection | D.N.A. | Ÿ | › | ||
| 34 | 32 | A Matter of Honor | ö‘Ž‚µ‚½”üŠw | Ÿ | › | ||
| 35 | 33 | The Measure of a Man | lŠÔ‚ÌðŒ | Ÿ | |||
| 36 | 34 | The Dauphin | ‰^–½‚Ì—ƒTƒŠƒA | Ÿ | |||
| 37 | 35 | Contagion | –„‚à‚ꂽ•¶–¾ | Ÿ | |||
| 38 | 36 | The Royale | ƒzƒeƒ‹EƒƒCƒ„ƒ‹‚Ì“ä | Ÿ | |||
| 39 | 37 | Time Squared | íœÉ‚Ì–¢—ˆ | Ÿ | |||
| 40 | 38 | The Icarus Factor | ƒCƒJƒ‹ƒX“`à | Ÿ | |||
| 41 | 39 | Pen Pals | –¢’m‚Ȃ郃bƒZ[ƒW | Ÿ | |||
| 42 | 40 | Q Who | –³ŒÀ‚Ì‘å‰F’ˆ | Ÿ | œ | ||
| 43 | 41 | Samaritan Snare | ‹ð‚©‚È‚é—~–] | Ÿ | |||
| 44 | 42 | Up the Long Ladder | V‚½‚Ȃ鑧 | Ÿ | |||
| 45 | 43 | Manhunt | –£‚¹‚ç‚ê‚Ä | Ÿ | |||
| 46 | 44 | The Emissary | ˆ¤‚ÌŽgŽÒ | Ÿ | |||
| 47 | 45 | Peak Performance | ŒÀ‚è‚È‚«í‚¢ | Ÿ | |||
| 48 | 46 | Shades of Gray | ˆ«–²‚Ì‰Ê‚Ä‚É | Ÿ | |||
| ‘æ3ƒV[ƒYƒ“ | ||||||||
|---|---|---|---|---|---|---|---|---|
| Go | ˜b” | “ú–{ | Œ´‘è | –M‘è | V | L | N | A |
| 49 | 48 | Evolution | i‰»‚̈ó | Ÿ | |||
| 50 | 47 | The Ensigns of Command | ˆÚ–¯‚Ì‰Ì | Ÿ | |||
| 51 | 49 | The Survivors | ˆ¤‚µ‚«l‚Ìˆ×‚É | Ÿ | |||
| 52 | 50 | Who Watches the Watchers | ŽçŒì_“`à | Ÿ | |||
| 53 | 51 | The Bonding | ”ß‚µ‚Ý‚ÌŒ¶‰e | Ÿ | |||
| 54 | 52 | Booby Trap | ƒƒ“ƒT[¯l‚Ìã© | Ÿ | |||
| 55 | 53 | The Enemy | h“G! ƒƒ~ƒ…ƒ‰ƒ“’é‘ | Ÿ | |||
| 56 | 54 | The Price | ”ñî‚È‚é‹ì‚¯ˆø‚« | Ÿ | |||
| 57 | 55 | The Vengeance Factor | •œQ‚Ì—¸ | Ÿ | |||
| 58 | 56 | The Defector | –S–½ŽÒ | Ÿ | |||
| 59 | 57 | The Hunted | ‹°•|‚ÌlŠÔ•ºŠí | Ÿ | |||
| 60 | 58 | The High Ground | ˆÙŽŸŒ³ƒeƒƒŠƒXƒg | Ÿ | |||
| 61 | 59 | Deja Q | DEJA Q | Ÿ | › | ||
| 62 | 60 | A Matter of Perspective | ‹^˜f‚̃r[ƒ€ | Ÿ | |||
| 63 | 61 | Yesterday's Enterprise | –S—ìíŠÍƒGƒ“ƒ^[ƒvƒ‰ƒCƒY'C' | Ÿ | œ | ||
| 64 | 62 | The Offspring | ƒAƒ“ƒhƒƒCƒh‚Ì‚ß‚´‚ß | Ÿ | |||
| 65 | 63 | Sins of the Father | ƒNƒŠƒ“ƒSƒ“íŽm‚Æ‚µ‚Ä | Ÿ | œ | ||
| 66 | 64 | Allegiance | Žp‚È‚«—U‰û”Æ | Ÿ | › | ||
| 67 | 65 | Captain's Holiday | ‘å‚¢‚È‚éƒzƒŠƒfƒB | Ÿ | |||
| 68 | 66 | Tin Man | ŒÇ“Æ‚È•ú˜QŽÒ | Ÿ | › | ||
| 69 | 67 | Hollow Pursuits | “|ö‚̃zƒƒOƒ‰ƒ€EƒfƒbƒL | Ÿ | › | ||
| 70 | 68 | The Most Toys | ‹†‹É‚̃RƒŒƒNƒVƒ‡ƒ“ | Ÿ | |||
| 71 | 69 | Sarek | ‰p—YÇŒóŒQ | Ÿ | |||
| 72 | 70 | Menage a Troi | ˆ¤‚È‚«ŠÖŒW | Ÿ | |||
| 73 | 71 | Transfigurations | ‹P‚«‚Ì’†‚Öc | Ÿ | |||
| 74 | 72 | The Best of Both Worlds, Part I | •‚—V‹@ŠB“sŽsƒ{[ƒO(‘O•Ò) | š | Ÿ | › | |
| ‘æ4ƒV[ƒYƒ“ | ||||||||
|---|---|---|---|---|---|---|---|---|
| Go | ˜b” | “ú–{ | Œ´‘è | –M‘è | V | L | N | A |
| 75 | 73 | The Best of Both Worlds, Part II | •‚—V‹@ŠB“sŽsƒ{[ƒO(Œã•Ò) | š | Ÿ | œ | |
| 76 | 74 | Family | íŽm‚Ì‹x‘§ | Ÿ | › | ||
| 77 | 76 | Brothers | ‰i‰“‚ÌãJ | Ÿ | › | ||
| 78 | 75 | Suddenly Human | ‰F’ˆŒÇŽ™ ƒWƒ‡ƒm | Ÿ | |||
| 79 | 77 | Remember Me | ‹°•|‚̃[ƒvEƒoƒuƒ‹ | Ÿ | |||
| 80 | 78 | Legacy | Šv–½íŽmƒCƒVƒƒ[ƒ‰Eƒ„[ | Ÿ | |||
| 81 | 79 | Reunion | —EŽÒ‚Ì–¼‚̉º‚É | Ÿ | |||
| 82 | 80 | Future Imperfect | ˆ«–²‚̃zƒƒOƒ‰ƒ€ | Ÿ | |||
| 83 | 81 | Final Mission | ƒtƒ@ƒCƒiƒ‹Eƒ~ƒbƒVƒ‡ƒ“ V‚½‚È‚é—·—§‚¿ | Ÿ | |||
| 84 | 82 | The Loss | Ž¸‚í‚ꂽƒeƒŒƒpƒV[ | Ÿ | |||
| 85 | 83 | Data's Day | ƒqƒ…[ƒ}ƒ“EƒAƒ“ƒhƒƒCƒhEƒf[ƒ^ | Ÿ | |||
| 86 | 84 | The Wounded | •sŽÀ‚Ȃ镽˜a | Ÿ | |||
| 87 | 86 | Devil's Due | ˆ«–‚‚ÌŒ_–ñ | Ÿ | › | ||
| 88 | 85 | Clues | ‹ó”’‚̈ê“ú | Ÿ | |||
| 89 | 87 | First Contact | ƒtƒ@[ƒXƒgEƒRƒ“ƒ^ƒNƒg | Ÿ | |||
| 90 | 88 | Galaxy's Child | ƒMƒƒƒ‰ƒNƒV[Eƒ`ƒƒƒCƒ‹ƒh | Ÿ | |||
| 91 | 89 | Night Terrors | “ä‚ß‚¢‚½‹¶‹C | Ÿ | |||
| 92 | 90 | Identity Crisis | ƒAƒCƒfƒ“ƒeƒBƒeƒB[EƒNƒ‰ƒCƒVƒX | Ÿ | › | ||
| 93 | 91 | The Nth Degree | “ä‚Ì“ª”]‰üŠv | Ÿ | |||
| 94 | 92 | Qpid | QPID | Ÿ | |||
| 95 | 93 | The Drumhead | ‹^˜f | Ÿ | |||
| 96 | 94 | Half a Life | Œˆ•Ê‚Ì‹VŽ® | Ÿ | › | ||
| 97 | 95 | The Host | ˆ¤‚̉»gƒIƒ_ƒ“ | Ÿ | |||
| 98 | 96 | The Mind's Eye | — Ø‚è‚̘‹È | Ÿ | |||
| 99 | 97 | In Theory | —ö‚̃ZƒIƒŠ[ | Ÿ | |||
| 100 | 98 | Redemption, Part I | ƒNƒŠƒ“ƒSƒ“’é‘‚ÌŠë‹@(‘O•Ò) | š | Ÿ | ||
| ‘æ5ƒV[ƒYƒ“ | ||||||||
|---|---|---|---|---|---|---|---|---|
| Go | ˜b” | “ú–{ | Œ´‘è | –M‘è | V | L | N | A |
| 101 | 99 | Redemption, Part II | ƒNƒŠƒ“ƒSƒ“’é‘‚ÌŠë‹@(Œã•Ò) | š | Ÿ | ||
| 102 | 100 | Darmok | “ä‚̃^ƒ}ƒŠƒAƒ“¯l | Ÿ | |||
| 103 | 101 | Ensign Ro | —¬˜Q‚̃xƒCƒWƒ‡[¯l | Ÿ | |||
| 104 | 102 | Silicon Avatar | ŽEC‚̉F’ˆ…»‘Ì | Ÿ | |||
| 105 | 106 | Disaster | ƒGƒ“ƒ^[ƒvƒ‰ƒCƒYEƒpƒjƒbƒN | Ÿ | |||
| 106 | 103 | The Game | ƒGƒCƒŠƒAƒ“EƒQ[ƒ€ | Ÿ | |||
| 107 | 109 | Unification, Part I | ö“ü! ƒƒ~ƒ…ƒ‰ƒ“’é‘(‘O•Ò) | ™ | Ÿ | ¡ | › |
| 108 | 110 | Unification, Part II | ö“ü! ƒƒ~ƒ…ƒ‰ƒ“’é‘(Œã•Ò) | ™ | Ÿ | ¡ | › |
| 109 | 105 | A Matter of Time | 26¢‹I‚̃^ƒCƒ€Eƒgƒ‰ƒxƒ‰[ | Ÿ | œ | ||
| 110 | 107 | New Ground | Vƒ[ƒvq–@ƒ\ƒŠƒgƒ“EƒEƒF[ƒu | Ÿ | |||
| 111 | 111 | Hero Worship | ˆÃ•¯’c‚Ì“ä | Ÿ | |||
| 112 | 108 | Violations | ‹L‰¯N“üŽÒƒ†ƒŠƒA¯l | Ÿ | |||
| 113 | 116 | The Masterpiece Society | ˆâ“`Žq‘€ì˜f¯ | Ÿ | |||
| 114 | 112 | Conundrum | “ä‚ß‚¢‚½‹L‰¯‘rŽ¸ | Ÿ | œ | ||
| 115 | 113 | Power Play | –S—씽‹tŽÒ | Ÿ | › | ||
| 116 | 114 | Ethics | _Œoˆã—ÃGƒLƒXƒp[ƒg ƒhƒNƒ^[Eƒ‰ƒbƒZƒ‹ | Ÿ | |||
| 117 | 104 | The Outcast | —¼«‹ï—LƒWƒFƒiƒC¯l | Ÿ | |||
| 118 | 115 | Cause and Effect | ‹°•|‚̉F’ˆŽžŠÔ˜A‘±‘Ì | Ÿ | |||
| 119 | 117 | The First Duty | ”ß‚µ‚݂̃AƒJƒfƒ~[‘²‹ÆŽ® | Ÿ | |||
| 120 | 118 | Cost of Living | ƒ‰ƒNƒTƒi‚ÌŒ‹¥ | Ÿ | œ | ||
| 121 | 119 | The Perfect Mate | ‹†‹É‚̃p[ƒgƒi[ | Ÿ | |||
| 122 | 120 | Imaginary Friend | ƒCƒ}ƒWƒiƒŠƒBEƒtƒŒƒ“ƒh | Ÿ | |||
| 123 | 121 | I, Borg | ƒ{[ƒOgƒiƒ“ƒo[EƒXƒŠ[h | Ÿ | |||
| 124 | 122 | The Next Phase | “]‘—Ž–ŒÌ‚Ì“ä | Ÿ | › | ||
| 125 | 123 | The Inner Light | ’´Žž‹ó˜f¯ƒJƒ^[ƒ“ | Ÿ | œ | ||
| 126 | 124 | Time's Arrow, Part I | ƒ^ƒCƒ€EƒXƒŠƒbƒvEƒGƒCƒŠƒAƒ“(‘O•Ò) | š | Ÿ | ||
| ‘æ6ƒV[ƒYƒ“ | ||||||||
|---|---|---|---|---|---|---|---|---|
| Go | ˜b” | “ú–{ | Œ´‘è | –M‘è | V | L | N | A |
| 127 | 125 | Time's Arrow, Part II | ƒ^ƒCƒ€EƒXƒŠƒbƒvEƒGƒCƒŠƒAƒ“(Œã•Ò) | š | Ÿ | œ | |
| 128 | 126 | Realm of Fear | ƒvƒ‰ƒYƒ}•ú“d‚Ì“ä | Ÿ | |||
| 129 | 127 | Man of the People | ¶–½ƒŠƒ“ƒNƒeƒŒƒpƒV[ | Ÿ | |||
| 130 | 128 | Relics | ƒGƒ“ƒ^[ƒvƒ‰ƒCƒY‚̖ʉe | Ÿ | ¡ | ||
| 131 | 129 | Schisms | “ä‚Ì‘æ3ŽŸˆŸ‹óŠÔ | Ÿ | |||
| 132 | 130 | True-Q | TRUE Q | Ÿ | |||
| 133 | 131 | Rascals | ”NŽwŠöŠ¯ƒWƒƒƒ“EƒŠƒ…ƒbƒNEƒsƒJ[ƒh | Ÿ | |||
| 134 | 132 | A Fistful of Datas | ƒzƒƒfƒbƒLEƒCƒ“EƒUEƒEƒGƒXƒg | Ÿ | œ | ||
| 135 | 133 | The Quality of Life | ‹@ŠB‚¶‚©‚¯‚̬‚³‚ȶ–½ | Ÿ | |||
| 136 | 134 | Chain of Command, Part I | 퓬Ží‘°ƒJ[ƒfƒVƒA¯l(‘O•Ò) | š | Ÿ | ||
| 137 | 135 | Chain of Command, Part II | 퓬Ží‘°ƒJ[ƒfƒVƒA¯l(Œã•Ò) | š | Ÿ | ||
| 138 | 136 | Ship in a Bottle | áS‚Á‚½ƒ‚ƒŠƒA[ƒeƒB‹³Žö | Ÿ | |||
| 139 | 137 | Aquiel | “ä‚Ìö”Ž–Œ | Ÿ | |||
| 140 | 138 | Face of the Enemy | ƒƒ~ƒ…ƒ‰ƒ“’é‘–S–½ìí | Ÿ | |||
| 141 | 139 | Tapestry | ‰^–½‚Ì•ª‚©‚ꓹ | Ÿ | |||
| 142 | 140 | Birthright, Part I | ƒo[ƒXƒ‰ƒCƒg(‘O•Ò) | š | Ÿ | ||
| 143 | 141 | Birthright, Part II | ƒo[ƒXƒ‰ƒCƒg(Œã•Ò) | š | Ÿ | ||
| 144 | 142 | Starship Mine | “ä‚Ìö“üŽÒ | Ÿ | |||
| 145 | 143 | Lessons | ƒMƒƒƒ‰ƒNƒV[Eƒƒ}ƒ“ƒX | Ÿ | |||
| 146 | 144 | The Chase | –½‚̃ƒbƒZ[ƒW | Ÿ | |||
| 147 | 145 | Frame of Mind | Žô‚í‚ꂽ–Ï‘z | Ÿ | |||
| 148 | 146 | Suspicions | VˆŸ‹óŠÔƒeƒNƒmƒƒW[ ’´ƒtƒFƒCƒYƒV[ƒ‹ƒh | Ÿ | |||
| 149 | 149 | Rightful Heir | ƒNƒŠƒ“ƒSƒ“_ƒJ[ƒŒƒX‚Ì•œŠˆ | Ÿ | |||
| 150 | 147 | Second Chances | ‚à‚¤ˆêl‚̃EƒBƒŠƒAƒ€Eƒ‰ƒCƒJ[ | Ÿ | |||
| 151 | 148 | Timescape | Žž‹ó˜c‹È’n‘Ñ | Ÿ | |||
| 152 | 150 | Descent, Part I | ƒ{[ƒO•ÏŽ¿‚Ì“ä(‘O•Ò) | š | Ÿ | ||
| ‘æ7ƒV[ƒYƒ“ | ||||||||
|---|---|---|---|---|---|---|---|---|
| Go | ˜b” | “ú–{ | Œ´‘è | –M‘è | V | L | N | A |
| 153 | 151 | Descent, Part II | ƒ{[ƒO•ÏŽ¿‚Ì“ä(Œã•Ò) | š | Ÿ | ||
| 154 | 152 | Liaisons | ƒCƒ„[ƒ‹¯‚ÌŽgŽÒ | Ÿ | |||
| 155 | 153 | Interface | ƒCƒ“ƒ^[ƒtƒFƒCƒX‹~oìí | Ÿ | |||
| 156 | 154 | Gambit, Part I | “ä‚̃GƒCƒŠƒAƒ“•”‘à(‘O•Ò) | š | Ÿ | ||
| 157 | 155 | Gambit, Part II | “ä‚̃GƒCƒŠƒAƒ“•”‘à(Œã•Ò) | š | Ÿ | ||
| 158 | 156 | Phantasms | íœÉ‚̃hƒŠ[ƒ€EƒvƒƒOƒ‰ƒ€ | Ÿ | |||
| 159 | 157 | Dark Page | S‚̃_[ƒNEƒTƒCƒh | Ÿ | |||
| 160 | 158 | Attached | ¬–À‚̘f¯ƒPƒXƒvƒŠƒbƒg | Ÿ | |||
| 161 | 159 | Force of Nature | ŠëŒ¯‚ȃ[ƒvEƒGƒlƒ‹ƒM[ | Ÿ | |||
| 162 | 160 | Inheritance | ƒAƒ“ƒhƒƒCƒh‚Ì•êe | Ÿ | |||
| 163 | 161 | Parallels | –³ŒÀ‚̃pƒ‰ƒŒƒ‹Eƒ[ƒ‹ƒh | Ÿ | |||
| 164 | 162 | The Pegasus | “ï”j‘DƒyƒKƒTƒX‚̔閧 | Ÿ | |||
| 165 | 163 | Homeward | –łт䂘f¯ | Ÿ | |||
| 166 | 164 | Sub Rosa | ˆ¤‚Ì–S—ì | Ÿ | |||
| 167 | 165 | Lower Decks | Žá‚«—EŽÒ’B | Ÿ | |||
| 168 | 166 | Thine Own Self | ‹L‰¯‘rŽ¸‚̃Aƒ“ƒhƒƒCƒh | Ÿ | › | ||
| 169 | 167 | Masks | ‘½dlŠiƒAƒ“ƒhƒƒCƒh | Ÿ | |||
| 170 | 168 | Eye of the Beholder | “ä‚ÌŒ¶ŠoƒeƒŒƒpƒV[ | Ÿ | |||
| 171 | 169 | Genesis | ‹°•|‚̃Cƒ“ƒgƒƒ“EƒEƒBƒ‹ƒX | Ÿ | œ | ||
| 172 | 170 | Journey's End | V‚½‚È‚é—·˜H | Ÿ | |||
| 173 | 171 | Firstborn | ƒNƒŠƒ“ƒSƒ“íŽm‚Ö‚Ì“¹ | Ÿ | |||
| 174 | 172 | Bloodlines | ‰…Q‚̔ޕû‚É | Ÿ | |||
| 175 | 173 | Emergence | ’m“I¶–½‘ÌgƒGƒ“ƒ^[ƒvƒ‰ƒCƒYh | Ÿ | |||
| 176 | 174 | Preemptive Strike | ˜f¯˜A–MgƒQƒŠƒ‰•”‘àh | Ÿ | |||
| 177,178 | 175,176 | All Good Things... | ‰i‰“‚Ö‚Ì—· | š | Ÿ | œ | |
ƒgƒbƒv | Episode Promenade | TOS | TAS | TNG | DS9 | VOY | ENT | ‰f‰æ